BÁRTA, Jan, Cesta excentriků z přízemí ven: Nástin vývoje české neoficiální hudební scény 80. let a její změny po roce 1989, Musicologica Olomucensia, 2020/32, 7-24.

BLÜML, Jan. Beatlephiles and Zappists: Rock Fandom in Communist Czechoslovakia in the Context of the Scene in Brno in the 1980s. Forum Historiae 14, 2020/2: 36-57. DOI: https://doi.org/10.31577 /forhist.2020.14.2.3

BLÜML, , Jan. Rozbor tematiky písní československého popu let 1962–1990 s přihlédnutím k problémové kategorii „normalizační pop“. Acta Musei Nationalis Pragae – Historia 74, 2020/3-4: 5–23. DOI: https://doi.org/10.37520/amnph.2020.011.

BLÜML, Jan. The music mainstream in communism revisited: a corpus analysis of Czechoslovak pop lyrics (1962–1991). Journal of Contemporary Central and Eastern Europe 30, 2022/2. DOI: 10.1080/25739638.2022.2089384

DANIEL, Ondřej – MICHELA, Miroslav, If the Kids are United: Rassismus und Antifaschismus im Punk- und Skinheadmilieu in Tschechien und der Slowakei in der ersten postsozialistischen Dekade. Arbeit – Bewegung – Geschichte. 2022, 21, 3, pp. 95-116. ISSN (Print) 2366-2387.

DANIEL, Ondřej, Music subculture vs. class revolutionaries: Czech antifascism in the postsocialist era. Fascism. Journal of Comparative Fascist Studies. 2020, 9, 1-2, pp. 54-72. E-ISSN: 2211-6257. Print ISSN: 2211-6249. DOI: https://doi.org/10.1163/22116257-09010008.

DANIEL, Ondřej, Songs for Ordinary People: Popular Music and Class in Post-Socialist Czech Society. Communist and Post-Communist Studies 55, 2022/2: 84–103. DOI: https://doi.org/10.1525/j.postcomstud.2022.55.2.84.

DANIEL, Ondřej, “Vodka, beer, papirosy”: Eastern European working class cultures mimicry in contemporary hardbass.“
In KÖLBL, Marko and Fritz TRÜMPI. Music and Democracy. Vienna: mdwPress, 2021, pp. 153-170.

KAVKA, Tomáš, Czechoslovak Pop Music in Young People’s Lifestyle Magazines in the “Anti-Decade”, 1985–1995, Prague Papers on the History of International Relations 2020/1: 28-41.

MACHEK, Jakub, Dvě disko generace. Československý pop pod vlivem disko horečky. Acta Musei Nationalis Pragae – Historia. Praha: Národní muzeum, 2020, 74(3-4), 44–55. DOI: https://doi.org/10.37520/amnph.2020.014. ISSN 2570-6845 (print), 2570-6853 (online). Dostupné také z: https://publikace.nm.cz/periodicke-publikace/acta-musei-nationalis-pragae-historia/74-3-4/dve-disko-generace-ceskoslovensky-pop-pod-vlivem-disko-horecky

MACHEK, Jakub, From discotheques to clubs: The transformation of dance venues and night life between late socialism and early capitalism in the Czechoslovakia, Journal of Contemporary Central and Eastern Europe 30, 2022/2. DOI: 10.1080/25739638.2022.2089387

MICHELA, Miroslav, Punk and Oi! Rebellion? Music and Commodification of the Youth Subcultures in Czechoslovakia at the Turn of the 1980–90s, Hudební věda/Musicology 59, 2022/2-3: 315-347. https://doi.org/10.54759/MUSICOLOGY-2022-0204

ŠRAJER, Petr, Private Czech Radio Broadcasting, Its Music Programming and Audience in the 1990s Illustrated with the Regional Station Radio Faktor, Hudební věda/Musicology 59, 2022/2-3: 348-386. https://doi.org/10.54759/MUSICOLOGY-2022-0205

ŠRAJER, Petr, Stalin and the Underground: Pirate Radio Stations in Post-Socialist Czechoslovakia (1989–1991), Mediální studia 16 2022/1: 7–24.